Leaving Out
Write a scene leaving out some significant detail about the character at the center of the scene. The character could have cancer or just have won the lottery. Don't make us guess - play more with the idea that whatever you are leaving out will naturally flow in around the edges of this description of character in action. Pay attention to the other important details about character than the largest and flashiest ones. Demand of them (and yourself) a range of other traits and confusions.
Word count: 700 (+/- 10%)
This Blog is dedicated to the book 3 a.m. Epiphany by Brian Kiteley. The challenge is to complete, in order, each of the two hundred writing exercises. The exercises are posted with the kind permission of Professor Kiteley. NOTE: (R) next to the title of any of our posts means that contents may offend. (Password: "iamover18") New authors are welcome.
Showing posts with label 700. Show all posts
Showing posts with label 700. Show all posts
Monday, February 7, 2011
Tuesday, February 2, 2010
Challenge 12
Gather together three or four ordinary people. Let them meet in a businesslike environment—a conference room, a grade-school classroom after school hours, a hotel room that is part of a suite so the bed is out of sight. These three or four people are going to decide to put someone to death. They are not government officials, rogue CIA agents, Mafia lieutenants—they're just plain folks. And the person they choose to execute is also a run-of-the-mill person just like them, except he is slated for death. Stay in this room. Don't follow through on the death sentence. Simply watch the group decide who needs to die and why. Choosing the victim is going to be hard. Keeping the group from simply going after someone who has angered them or cut them off in line or slept with their spouse—that is going to be your problem. This group of executioners should know one another but not terribly well. Don't tell us why or how they've chosen to do this; just accept the situation and try to let them accept it, too. POV—the executioners', as well as the intended victim's in a sense--will matter a great deal. One POV will predominate. You probably want to tell this scene from a dramatic perspective, allowing only spoken words to come out (don't show the executioners' thoughts)
Wordcount: 700 (+/- 10%)
Wordcount: 700 (+/- 10%)
Thursday, January 28, 2010
Challenge 9
Historical omniscience
Write about an event set well in the past. Write from above, as if by means of researched opinion (doing a little actual research can't hurt). By this, I mean write about several historical characters or an interesting event, imagining any POV you want.
Wordcount: 700 (+/- 10%)
* Note: Historians often have access to letters, emails, journals, memoirs and interviews. They sew together fragments of information into a whole cloth, hence becoming as subjective as any novelist.
Write about an event set well in the past. Write from above, as if by means of researched opinion (doing a little actual research can't hurt). By this, I mean write about several historical characters or an interesting event, imagining any POV you want.
Wordcount: 700 (+/- 10%)
* Note: Historians often have access to letters, emails, journals, memoirs and interviews. They sew together fragments of information into a whole cloth, hence becoming as subjective as any novelist.
Saturday, January 23, 2010
Challenge 5
Journalism
Write part of a story in the form of journal entries. Everything that happens in the story will most likely happen between the entries. Make sure your readers can see the events offstage, but also remember to present your journalist's blind spots - she/he will not present the whole story. Your journal writer may not even understand the significance of events until a few entries later (if ever). Keep the entries close together in time. Avoid completely self-obsessed narrators.
Wordcount: 700 (+/- 10%)
Write part of a story in the form of journal entries. Everything that happens in the story will most likely happen between the entries. Make sure your readers can see the events offstage, but also remember to present your journalist's blind spots - she/he will not present the whole story. Your journal writer may not even understand the significance of events until a few entries later (if ever). Keep the entries close together in time. Avoid completely self-obsessed narrators.
Wordcount: 700 (+/- 10%)
Subscribe to:
Posts (Atom)