The Ironist
Create an observer of events outside his/her own experience, someone who knows more than she lets on, who jokes with us (the readers) but who also indirectly reveals a complex reading of the events she is describing. In Greek comedy, the character eiron was a dissembler, who spoke in understatement and pretended to be less intelligent than he was. This will be like the unreliable narrator, except that this character is aware they are telling 'tall tales'.
Wordcount: 500 (+/- 10%)
This Blog is dedicated to the book 3 a.m. Epiphany by Brian Kiteley. The challenge is to complete, in order, each of the two hundred writing exercises. The exercises are posted with the kind permission of Professor Kiteley. NOTE: (R) next to the title of any of our posts means that contents may offend. (Password: "iamover18") New authors are welcome.
Showing posts with label Rules. Show all posts
Showing posts with label Rules. Show all posts
Friday, January 29, 2010
Thursday, January 28, 2010
Challenge 9
Historical omniscience
Write about an event set well in the past. Write from above, as if by means of researched opinion (doing a little actual research can't hurt). By this, I mean write about several historical characters or an interesting event, imagining any POV you want.
Wordcount: 700 (+/- 10%)
* Note: Historians often have access to letters, emails, journals, memoirs and interviews. They sew together fragments of information into a whole cloth, hence becoming as subjective as any novelist.
Write about an event set well in the past. Write from above, as if by means of researched opinion (doing a little actual research can't hurt). By this, I mean write about several historical characters or an interesting event, imagining any POV you want.
Wordcount: 700 (+/- 10%)
* Note: Historians often have access to letters, emails, journals, memoirs and interviews. They sew together fragments of information into a whole cloth, hence becoming as subjective as any novelist.
Wednesday, January 27, 2010
Challenge 8
Third to First
Rewrite a part of an old story of your that was originally in the third person in first person (or vice versa). When you're making this change, count the number of hes or shes (or Is) in the original piece. Reduce the number by half in the rewrite. Use a relatively small section of a story or novel.
Wordcount: 500 (+/- 10%)
Rewrite a part of an old story of your that was originally in the third person in first person (or vice versa). When you're making this change, count the number of hes or shes (or Is) in the original piece. Reduce the number by half in the rewrite. Use a relatively small section of a story or novel.
Wordcount: 500 (+/- 10%)
Monday, January 25, 2010
Challenge 7
Family Consciousness
In a short piece of prose, dip into the consciousness of a family. Rather than one or two distinct points of view, this fiction should allow us into the minds of a marriage with children (old or young). This will be different than limited omniscience because a family can reasonably know a good deal about the goings-on of its various parts. You could also used the royal we as an occassional pronoun to make general pronouncements.
Wordcount: 800 (+/- 10%)
As always I look forward to seeing what you write!
As this is so vague I will add another day for answers. You now have until 4-5pm on the 27th (NZ time as always).
In a short piece of prose, dip into the consciousness of a family. Rather than one or two distinct points of view, this fiction should allow us into the minds of a marriage with children (old or young). This will be different than limited omniscience because a family can reasonably know a good deal about the goings-on of its various parts. You could also used the royal we as an occassional pronoun to make general pronouncements.
Wordcount: 800 (+/- 10%)
As always I look forward to seeing what you write!
As this is so vague I will add another day for answers. You now have until 4-5pm on the 27th (NZ time as always).
Friday, January 22, 2010
Challenge 4
The Unstable Self
Write a story that alternated between the I and the he/she (or narrator name), making sure you don't confuse the reader with the switches. You might also consider other ways of indicating instability - voices (in italics), commands, or out-of-body perpectives. Perhaps a situation where a person is under such stress they cannot think straight?
Wordcount: 500 (+/- 10%)
Do your best with this one - I am looking forward to seeing what you can come up with.
Good luck participants.
Write a story that alternated between the I and the he/she (or narrator name), making sure you don't confuse the reader with the switches. You might also consider other ways of indicating instability - voices (in italics), commands, or out-of-body perpectives. Perhaps a situation where a person is under such stress they cannot think straight?
Wordcount: 500 (+/- 10%)
Do your best with this one - I am looking forward to seeing what you can come up with.
Good luck participants.
Thursday, January 21, 2010
Challenge 3
Unreliable Third
Write a fragment of a story from the POV of an unreliable narrator - third-person limited (or attached) narration.
Wordcount: 500 (+/- 10%)
Notes:
Usually, an unreliable narration is spoken in first person, so what happens when you give us a slightly detached, yet still unreliable narration? (Think Hitchock's movie Stage Fright) In third person unreliable narration, the readers will believe more of the lies, so see if you can present a deceptive character's perceptions as what he/she believes or wants to believe. You have to both believe the lie and show it to be a lie.
Confused? Good, now show me what you can do!
Good luck.
P.S. Add any bonus challenges in the comments section.
Write a fragment of a story from the POV of an unreliable narrator - third-person limited (or attached) narration.
Wordcount: 500 (+/- 10%)
Notes:
Usually, an unreliable narration is spoken in first person, so what happens when you give us a slightly detached, yet still unreliable narration? (Think Hitchock's movie Stage Fright) In third person unreliable narration, the readers will believe more of the lies, so see if you can present a deceptive character's perceptions as what he/she believes or wants to believe. You have to both believe the lie and show it to be a lie.
Confused? Good, now show me what you can do!
Good luck.
P.S. Add any bonus challenges in the comments section.
Wednesday, January 20, 2010
Challenge 2
Imperative
Write a fragment of a story that is made up entirely of imperative commands, e.g. "Do this; do that; contemplate the rear end of the woman who is walking out of your life." This exercise will be a sort of second-person narration.
Wordcount: 500 (+/- 10%)
Ideas for the bonus challenges? Post them in the comments section below. Challenge closes 22nd Jan 2010.
Good luck!
Write a fragment of a story that is made up entirely of imperative commands, e.g. "Do this; do that; contemplate the rear end of the woman who is walking out of your life." This exercise will be a sort of second-person narration.
Wordcount: 500 (+/- 10%)
Ideas for the bonus challenges? Post them in the comments section below. Challenge closes 22nd Jan 2010.
Good luck!
Challenge 1
Write a first person story in which you use the first person pronoun (I, me or my) only two times. Keep the 'I' somehow important to the narrative you are constructing. The point is to imagine a narrator who is less interested in himself than in what he is observing.
Wordcount: 600 (+/- 10%)
Bonus Challenge 1:
Write an up-beat and cheerful scene following these rules.
Bonus Challenge 2:
Write a scene between two lovers following these rules.
Thus the ultimate Challenge is to incorporate both bonuses!
Good Luck Authors!
Wordcount: 600 (+/- 10%)
Bonus Challenge 1:
Write an up-beat and cheerful scene following these rules.
Bonus Challenge 2:
Write a scene between two lovers following these rules.
Thus the ultimate Challenge is to incorporate both bonuses!
Good Luck Authors!
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